|This album too is 45|
I couldn't even be arsed to come up with a different way of holding the sleeve up for the photo shoot; it's basically an original high quality Swede garment with the designer label ripped out and my own (inferior) brand stitched poorly into the back of the neck - the kind that'll make you itch like a man on a fuzzy tree.
So, the Sweet. What can I say about them that I haven't bored you all to death with a million times before? Suffice it to say that The Sweet's Biggest Hits was the first album I bought with my own money. And in 1972 that was a whole hill of beans, well £2.18 anyway. And I played it ten times a day. Minimum. Why wouldn't I? Unlike singles which needed flipping over every three minutes (a bit like pancakes) RCA Victor SF 8316 (I still remember the catalogue number) would play for nearly twenty whole minutes before I had to drag myself off the bed and put the needle on the other side.
And I love the way it's called Biggest. It stops at Wig Wam Bam: less than four weeks after its release they would put out Blockbuster (#1), closely followed by Hell Raiser (#2) and Ballroom Blitz (#2). Now they were big: combined sales of those three singles alone was in excess of 1,000,000 copies (and that's just the UK): monster big.
Anyway, I'll be keeping an eye on Swede Towers and see if I can't recycle some more of his ideas and cut and paste them over here. Keep 'em peeled.